They might never have had a hit, but the devotion of their fans is palpable, with everyone from those in their early teens to hardened, Mohawk sporting gentlemen who can remember a time before colour television belting back ever puerile lyric that emanates from singer Fat Mike’s mouth. As an act, it pretty much summed up what makes them continually endearing – their refusal to pander to the rock and roll game, and a bratty sense of humour that still dictates the legendary punk rock band’s every decision even as they enter middle age. No surprises there, except theirs was about the size of a tea towel, visible to only the front few rows (who found the whole thing hilarious, of course). ![]() NOFX, as many bands playing the main stage at the Reading Festival do, once performed in front of a banner stating their name. The band continued to release albums that challenged the social and political systems that they didn’t agree with, and did so in true punk fashion. ![]() In 1994 they released their best selling album, “Punk in Drublic” and received support from the mainstream media, as well as reaching certified gold.įollowing a series of record releases that all fared well, the band made the move to sign with Fat Wreck Chords in 2005. The collaboration with Gurewitz led to the band signing with Epitaph Records, and releasing their third studio album “Ribbed.” Shortly after the release, Aaron Abeyta, aka El Hefe, replaced Steve Kidwiller on guitar, followed by “White Trash, Two Heebs and A Bean” being released in 1992. In 1986 the band released an album attacking the PMRC (Parents Music Resource Center) for their campaign against music censorship with “The P.M.R.C Can Suck On This.” Following this album was “Liberal Animation” in 1988, which was recorded with Bad Religion’s Brett Gurewitz. The band then underwent a lineup change, but through the changes, the original three members remained intact. The group released their first album in 1985 with Mystic Records. Working again with Ted Hutt, the same producer who helped them shape The '59 Sound, the bandmates wrote and recorded the songs that eventually comprised their third album, American Slang.In 1983 Mike Burkett (Fat Mike) and Eric Melvin met and started the band, and were later joined by Erik Sandin. ![]() The Gaslight Anthem rounded out the year by playing additional festivals - including Lollapalooza, Pinkpop, Reading, and Leeds - before returning to the studio in early 2010. Following the Glastonbury performance, sales of The '59 Sound grew by 200%, whetting the public's demand for a follow-up. Featuring a rough, rousing sound that took its cues from Social Distortion's melodic punk and Bruce Springsteen's heartland rock, the album found an audience not only in America - where eMusic deemed it the number one record of 2008 - but also in Europe, where Bruce Springsteen joined the musicians during their set at the 2009 Glastonbury festival. The Gaslight Anthem signed with SideOneDummy and released their sophomore effort, The '59 Sound, later that year. The EP appeared in early 2008, as did an offer to join the roster of the California-based indie label SideOneDummy Records. The band managed to secure enough down time between tour dates to record a four-song EP, Señor and the Queen, in Austin. The increasing popularity was enough to score gigs with the likes of Against Me! and the Draft, and by the end of 2007, the Gaslight Anthem had played over 200 shows. Arriving in May 2007 via the local imprint XOXO Records, the album garnered accolades from punk zines and blogs alike. ![]() The band - comprised of vocalist/guitarist Brian Fallon, bassist Alex Levine, drummer Benny Horowitz, and guitarist Alex Rosamila - began establishing a hometown audience after forming in 2005, and their soulful punk rock attracted wider attention upon the release of their first full-length album, Sink or Swim. The Gaslight Anthem rose out of the fertile punk scene of New Brunswick, NJ, flaunting a unique style that melded the influence of Bruce Springsteen, Wilson Pickett, and various Motown groups with the rough, emotional grit of Hot Water Music and Jawbreaker. The Gaslight Anthem rose out of the fertile punk scene of New Brunswick, NJ, flaunting a unique style that melded the influence of Bruce Springsteen, Wilson Pickett, and various Motown groups with the rough, emotional grit
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